Heroism and Antagonism in African Revolutionary Theatre: A Study of Esiaba Irobi's Dramatic Techniques in Sycorax

Abstract

This study investigates the conceptualization of heroism and antagonism within African revolutionary theatre through an in-depth analysis of Esiaba Irobi's Sycorax. It examines how Irobi employs radical dramaturgical techniques rooted in Marxist philosophy to challenge Western narratives, decolonize identity, and promote socio-economic emancipation. The study interrogates Irobi's subversion of traditional hero archetypes, positioning protagonists as agents of revolt who embody antagonistic traits against oppressive structures. Employing Marxist dialectics and hermeneutic interpretation, the study investigates how Irobi's use of language, symbolism, and participatory theatrical styles serve as tools of revolutionary resistance. It also considers the play's
thematic engagement with historical distortion, neocolonialism, and cultural identity, emphasizing the playwright's goal of mobilizing the masses towards social transformation. The findings reveal that heroism in Irobi's theatre is intricately linked with antagonism, portraying heroes as rebels who confront and dismantle societal injustices through radical and often disruptive means.